Tucker Green is a dusty kind of familiar. His new record, Halfway to Daylight takes the old country sounds of lap steels and banjos and combines them with Americana guitar riffs to form an updated style of feel good rock. Shaped by a steady diet of Bruce Springsteen and Ryan Adams, Green’s timeless sound centers around the value of a well-written song. Halfway to Daylight was produced by Jonathan Anderson (Stabilo, Aiden Knight) and mastered by Ed Brooks (Death Cab for Cutie, Cat Power, Iron and Wine).